Creative Writing
Blogger,+by+Terry+Freedman
Every so often I read some pundit, or usually a journalist pretending to be a pundit, suggesting that blogs are dead. What can I say? They’re not.
Read More“Good afternoon”, said the doctor. “What seems to be the trouble?”
Read MoreAs indicated by the title, the first thing to know about this anthology is that it comprises both poetry and prose, rather than one or the other. Many of the pieces are quite unusual...
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station platform, by Terry Freedman
Transport in London these days is, for the most part, sleek, efficient. The epitome of this newish Utopia is the Elizabeth Line, with its silent, gliding carriages, air-conditioning and wi-fi. The announcements are soothing...
Read MoreIn this essay I have used three different AI apps to analyse a piece of my writing, and to make suggestions for improvement.
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One of the things I’ve been trying out is reworking a piece of text into a completely different style. This one was written in the style of Borges.
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When writing short-form I think it helps to think in terms of the minimum viable wordage, or MVW...
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Knighton Wood, by Terry Freedman
It is understandable that an ambitious young man, in his late twenties and early thirties, wanting success in all its various guises, and with a belief in the power of the mind, would be attracted to certain kinds of books, tapes and courses. The young man I’m talking about was, of course, me.
Read MoreYou’ve heard of six-word stories. How about nano non-fiction?
Read MoreTravelling back from my saxophone lesson on Saturday, a very attractive young woman kept looking at me. Did I finally have sax appeal I asked myself.
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Photo by Terry Freedman
Last week, Elaine, a friend of hers (D) and I went to an art gallery. On our return we caught the Overground train at Highbury and Islington, heading towards Stratford….
Read MoreThis is a transcript of a conversation between Fred Terryman and myself. It’s been lightly edited, with the pauses taken out for ease of reading.
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My writing-related filing cabinets, by Terry Freedman
I think evaluations are very odd devices to be honest. Someone once “marked me down” on her evaluation of a one day course I was running on the grounds that the traffic was terrible.
Read MoreOne of the things I’ve been trying out is reworking a piece of text into a completely different style. In today’s experiment I’d like to tell the story in the style of a review of an art exhibition.
Read MoreIn London on June 8th I’ll be teaching a course called Creative Writing Using Constraints, an introduction to the world of the Oulipo. This is a round-up of some of the books I’ll be referring to and talking about.
Read MoreHolmes and I were in our lodgings in Baker Street. He was drawing out a melancholy tune on his violin, whilst I was reading the latest edition of The Lancet. The silence was unexpectedly broken by the ringing of the bell.
Read MoreI clambered out of the four poster, but at altogether the wrong angle, so blowed if I didn't go careering straight into the wall. I tell you. I tried to ignore it and dragoon the well-known Freedman stiff upper lip into service, but the old noggin was having none of it.
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The term “automatic writing” is usually associated with a particular psychic phenomenon. However, software now exists that can take data, such as sports results, and generate reports from it.
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Saxophonist, by Terry Freedman
On Friday I picked up my sax for the first time in a month. I attempted to play Will You Still Love Me Tomorrow. It started off ok-ish, but then the timing went and so did the right notes. Well, you can’t have everything I suppose.
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